Step by step, the exhibition/event In the Wind – Sensing the Location Now (Kevo-Martin-Oja-Valkeapää) is getting active in Helsinki Punavuori.
8.3.2021 Publication of the article in artistic research, Ruukku-journal, Studies in Artistic Research
Marjatta Oja‘s exposition “Pienenergia, arkisto ja uusi aktivismi” (Local energy, archive and new activism) challenges us to consider the scale and rhythms of artistic work in relation to energy consumption, both in its concrete meaning and at the level of the values and structures that guide these activities. At the same time, Oja draws attention to the scale of an individual’s artistic, bodily and everyday activities and brings together, in an original and topical way, a critical ecological discussion of energy and the unsustainability of our culture, as well as experimental artistic work. At the same time, Oja challenges the models and structures of artistic activity with their practices committed to longevity.
The whole editoral part of the publication: http://ruukku-journal.fi/en/issues/15/editorial
Marjatta Oja and Minna Heikinaho were interviewed in Forssa Museum by the museum director Kati Kivimäki. Premier of clip 25.2.2021 at 7pm.
Framed Errors 26.1.-21.2.2021
exhibition in Forssa Museum
‘Forssa-born artist Marjatta Oja found faulty fabrics in her cottage – an exhibition created from the contents of Finlayson’s sack bags’ . google translated.
Riikka Kevo 29.02.2020 FB:
We are co-presenting with Marjatta Oja, Doctor of Visual Arts, and our project, Coast Guard Girrls, as part of the Italian ARKAD artist group Manifesta 13 at the Marseille Art Festival with our three-piece work, Taken by the Wind (2020). Our section is the official Les Parallèles du Sud. Welcome to France! Manifesta 13 to Marseille spreads throughout the Marseille-Mento region.
Galleria Rankka proudly presents
Galleria Rankka’s first expo in 2020 is a cavalcade of four Artists.
The Finnish video art pioneer Marjatta Oja modifies space with the moving image, the superdrawer Heikki Leis shows us his two-dimensional hyperreality, Maarit Rantala paints her sensitive and tragic universe and sculptor Laura Könönen brings up granite, a glowing threat and a feeling of danger.
Four different stories out of the reality we live in – told in four different ways.
Open: Tue–Sun 13–18
Images picked up from the published article: https://kultuur.err.ee/1025899/galerii-heikki-leis-avas-helsingis-soome-kunstnikega-uhisnaituse#lg=1&slide=14
Research Project: Artist-activist in post-fossil revolution
IL TRAFFICO at Manifesta12 Biennial, 5x5x5 program – artist open studio and events. October 4 – November 4 2018, in Palermo, in Helsinki and online at www.iltraffico.fi
Collective Intelligence presents a series of experimental actions and events under the title IL TRAFFICO, for the 5x5x5 section of selected artists at Manifesta12, The planetary garden – Cultivating Coexistence. IL TRAFFICO is an experimental relational-art project focusing on methods for consensus and enhancing local ongoing processes in Sicily.
Collective Intelligence is an artist group who organizes a series of deep-dive sessions, encounters where artists, thinkers and activists work on parallel and shared projects, influencing each other in a convivial frame.
Collective Intelligence participants for IL TRAFFICO are: Antti Ahonen (FI), Ionas Amelung (DE), Alan Bulfin (IE/FI), Erika De Martino (IT/FI), Johanna Fredriksson (FI), Jytte Hill (DE), Egle Oddo (IT/FI), Marjatta Oja (FI), Saša Nemec (SI), Leonardo Ruvolo (IT), Timo Tuhkanen (FI).
During their projects in Sicily, Collective Intelligence has been collaborating with several local partners: the STEBICEF department of University of Palermo, Orestiadi Foundation, Sementi Indipendenti, and Dimora Oz artists run association. Dimora Oz collaborates with IL TRAFFICO through the contribution of: Stefan Bressel (DE), Francesco Cucchiara (IT), Gandolfo Gabriele David (IT), Daniele Di Luca (IT), Andrea Kantos (IT), Fabio R. Lattuca (IT), Michele Vaccaro (IT).
CI Press Pictures
In the middle of September 2018
I was building the second Growing A Language exhibition in Myymälä2 Helsinki, with the other members of the group Collective Intelligence.
The show features a series of works realised between Finland, Germany and Sicily, in occasion of the artists’ participation to Manifesta12, and during their group residency at Fondazione Orestiadi. Their process will continue in October during the Il Traffico project as part of Manifesta’s 5x5x5 program.
The title of the exhibition, Growing a Language, uses the word growing as opposed to developing because it wants to contest the idea of development in its entirety. Urban development for instance often excludes plants, animals, and other biological and emotional factors from its planning and implementation. The act of growing a common language implies the amplification of the relations between different creatures and their environments, being critical towards the typical rational mode of developing systems and realizing dreams.
The common discourse on sonic, visual, conceptual, or text based approach, emerges from the different subjectivities, entangling and enlightening the intersections of the artists’ practices.
In the beginning of September 2018
Jukka Rusanen invited me to show my situationsculpture Hands 2010 in his retrospective exhibition ELEMENTS in the Lachenmann Art Gallery in Frankfurt am Main. I have been in dialogue with Jukka couple of years about our common interest concerning body and how it is experienced.
I participated remotely in Re-excavations exhibition in CDEx UQAM, Montreal. The exhibition is a continuation of the research project, which started In Helsinki 2017 with DFA Shoji Kato and DFA Paul Landon. The participants work with certain place together, creating individual artworks for the exhibition.
Re-excavation reflects on archaeological methods of unearthing and digging up. With this exhibition project it is the urban landscape that is re-dug up. The present and past city is reconsidered, what has been found repurposed for its future. Urban space is uncovered, expanded and upturned, interpreted as an abstract diagram, as material residue, as rumours of past usages and activities, as oral accounts and lived experience.
Montreal Crossing, 2018. Photo by Paul Landon.
The Re-exacavations exhibition with the works by Kévin Pividic, Pépite & Josèphe-Expédition, Paul Landon, Shoji Kato and Marjatta Oja
During 2018 summer
I have been participating the exhibitions in Sicily in the group called Collective Intelligence. At first In Dimora Oz ‘KaOZ’ (curated by Andrea Kantos) exhibition place in Palermo as collateral event of Manifesta 12 and secondly in ‘Growing A Language’ exhibition in Gibellina Sicily run by Fondazione Orestiadi.
Palermo Park 2018, photo by Francesco Cucchiara
Gibellina Ground 2018, photo by Egle Oddo